Chatham Baroque is Andrew Fouts (violin), Patricia Halverson (viola da gamba), and Scott Pauley (theorbo & baroque guitar).
The ensemble has toured across the United States as well as in South America and Mexico, the Virgin Islands, and Canada. The New York Times has praised their “colorful virtuosity”; the Washington Post called them “musically impeccable”; the Chicago Tribune, “a splendid period-instruments ensemble”; and the Pittsburgh Post-Gazette proclaims, “Pound for pound, you aren’t going to find a better ensemble … than Chatham Baroque,”. Chatham Baroque collaborates with the Pittsburgh Renaissance & Baroque concert series which since 1969 has brought distinguished early music artists and ensembles from across the country and around the world to perform in Pittsburgh. The concert series spans approximately 1000 years of music from the Medieval period to the Classical period, and the performances range in size from solo recitals to baroque orchestras. ------------------------------------------ The "Art of the Trio” program includes music from the Renaissance, Baroque and early Classical Periods, with unique instrumentation to match: to the violin and baroque guitar are added the period instruments of viola da gamba, an instrument combining qualities of both a guitar and cello, and theorbo –a large lute with the neck extended to hold long bass strings. |
Live Stream Chatham Baroque The Art of the Trio On July 17th The Martha’s Vineyard Chamber Music Society welcomes the exquisite trio of Chatham Baroque, celebrating the passion and depth of the music of the Middle Ages, Renaissance, Baroque, and Early Classical periods through vivid and compelling performances and educational experiences. Location: West Tisbury Congregational Church July 17th, 2022 4:00 p.m. The Musical Program
Sonata Op. 3 No. 2 !La Cesta” from Sonate à violino solo, Op. 3 (Innsbruck, 1660) Giovanni Antonio Pandolfi Mealli (fl. 1660-1690) Recercada Settima from Tratado de glossas (Rome, 1553) Diego Ortiz (c. 1510-c.1570) Partite variate sopra la folia aria Romanesca from Intavolatura di liuto, et di chitarrone (Bologna, 1623) Alessandro Piccinini (1566-1638) Greensleeves to a Ground from The Division Violin (London, 1684) John Playford (1623-c.1686) Sonata in D Major Op. 5, No. 1 from Suonati a violino e violone o cimbalo (Rome, 1700) Arcangelo Corelli (1653-1713) Preludio from Ayres for the Violin, Book II (London, 1679) Sarabanda Capriccio Ayre for guitar from The False Consonances of Musick (London, 1682) Giga for guitar Giga “Al Genio Turchesco” from Ayres for the Violin, Book II Nicola Matteis (fl. 1670-1713) Intermission Sonata quarta Johann Heinrich Schmelzer (1657-1714) Sonata in A Minor BuxWV 272 Dieterich Buxtehude (c1637/9-1707) Sonata in G Major (BWV 1021) Adagio – Vivace – Largo – Presto Johann Sebastian Bach (1685-1750) Ciacona from a manuscript in Kroměříž, Archbishop’s Castle Library Heinrich Biber (1644-1704) |
CELEBRATE MUSIC
The Martha's Vineyard Chamber Music Society produces chamber music concerts and promotes an appreciation of classical and contemporary music on the island of Martha's Vineyard. The Summer Evening Concerts and our Education Programs including Instrument Loans, Lesson Scholarships, Artist in Residence, and Project Cello, all depend on generous donors and grant funders. Your donation is greatly appreciated and will help us fulfill our mission. |